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ENEN
Standard
Scales
Chords
E
Minor
Frets: 0 - 24

Formula
Notes

m3-M3
D
F
A
D
A
1
F
F
2
A
3
D
F
4
5
A
D
A
6
F
7
D
A
8
F
9
10
D
A
F
D
11
12
D
A
13
F
F
14
A
15
D
F
16
17
A
D
A
18
F
19
D
A
20
F
21
22
D
A
F
D
23
24

Minor Chord

The Minor Chord is one of the fundamental chords in Western music, and its sound is universally perceived as stable, but with a connotation of melancholy, 'sadness' or 'seriousness'. It is a triad, composed of three notes: the root, the minor third, and the perfect fifth. For example, an A Minor chord (Am) is formed by the notes A (root), C (minor third), and E (perfect fifth). It is the basis of harmonic progressions in minor keys and often functions as a point of rest, but with a decidedly different emotional coloring than the major chord, evoking introspection or drama.

Common Progressions

  • i - iv - v (the basic progression in a minor key, the functional equivalent of I-IV-V in major)
  • i - VI - VII (common in rock and pop, uses major chords on the VI and VII degrees for a more open, epic, or dramatic sound, compared to the corresponding minor chords)
  • i - iv - V7 (the major dominant V7 is often used for a stronger resolution to the minor i, exploiting the tension of its tritone, common in jazz and classical music)
  • i - bVII - bVI - bVII (an iconic progression in rock and metal, which creates a powerful and driving sound through the use of major chords on the degrees of the natural minor scale)

Chords in Scale

C
C Locrian
C Lydian with Augmented 6 and 2
C Locrian with Major Sixth
C Dorian with Augmented Fourth
C Half Diminished
C Super Locrian
C Blues
D
D Ionian
C Dorian
C Mixolydian
C Locrian with Flat 3 and 7
D Ionian with Diminished Fifth
C Ritsusen
C Melodic Minor
D Bebop Dominant
D
D Double Harmonic
D Ultra Phrygian
D Phrygian Dominant
D Super Locrian with Minor Seventh
D Super Locrian
E
E Dorian
D Phrygian
D Aeolian
D Hungarian Minor
E Lydian with Augmented 6 and 2
D Ultra Phrygian
D Harmonic Minor
E Dorian with Augmented Fourth
E Lydian with Minor Second
D Minor Pentatonic
D Melodic Minor
E Dorian with Minor Second
D Blues
E
E Lydian
E Hungarian Minor
E Lydian Augmented
F
F Phrygian
F Locrian
F Oriental
F Locrian with Major Sixth
F Phrygian Dominant
F Dorian with Minor Second
F
F Ionian
G Lydian
F Mixolydian
F Oriental
F Ionian with Augmented Second
F Ultra Phrygian
F Ionian with Diminished Fifth
G Lydian with Minor Second
F Super Locrian with Minor Seventh
F Major Pentatonic
G Lydian Augmented
G Lydian Dominant
F Bebop Dominant
G
G Hungarian Minor
G Ionian with Augmented Second
G Harmonic Minor
G
G Dorian
A Mixolydian
G Aeolian
G Dorian with Augmented Fourth
G Egyptian Suspended
A Lydian Dominant
G Aeolian Dominant
A Bebop Dominant
A
A Oriental
A Locrian with Flat 3 and 7
A Locrian with Major Sixth
A Super Locrian with Minor Seventh
A
A Phrygian
B Aeolian
A Locrian
B Ionian with Augmented Second
A Locrian with Flat 3 and 7
B Double Harmonic
B Harmonic Minor
B Ionian with Diminished Fifth
A Phrygian Dominant
A Man Gong
B Aeolian Dominant
A Half Diminished
B
B Ionian
B Lydian
B Double Harmonic
B Lydian with Augmented 6 and 2
B Lydian with Minor Second
B Bebop Dominant