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ENEN
Standard
Scales
Chords
B
Minor
Frets: 0 - 24

Formula
Notes

m3-M3
B
D
F
B
D
1
F
B
F
2
D
3
B
F
4
D
5
6
B
F
D
B
7
8
B
F
9
D
D
10
F
11
B
D
12
13
F
B
F
14
D
15
B
F
16
D
17
18
B
F
D
B
19
20
B
F
21
D
D
22
F
23
B
D
24

Minor Chord

The Minor Chord is one of the fundamental chords in Western music, and its sound is universally perceived as stable, but with a connotation of melancholy, 'sadness' or 'seriousness'. It is a triad, composed of three notes: the root, the minor third, and the perfect fifth. For example, an A Minor chord (Am) is formed by the notes A (root), C (minor third), and E (perfect fifth). It is the basis of harmonic progressions in minor keys and often functions as a point of rest, but with a decidedly different emotional coloring than the major chord, evoking introspection or drama.

Common Progressions

  • i - iv - v (the basic progression in a minor key, the functional equivalent of I-IV-V in major)
  • i - VI - VII (common in rock and pop, uses major chords on the VI and VII degrees for a more open, epic, or dramatic sound, compared to the corresponding minor chords)
  • i - iv - V7 (the major dominant V7 is often used for a stronger resolution to the minor i, exploiting the tension of its tritone, common in jazz and classical music)
  • i - bVII - bVI - bVII (an iconic progression in rock and metal, which creates a powerful and driving sound through the use of major chords on the degrees of the natural minor scale)

Chords in Scale

C
C Lydian
C Hungarian Minor
C Lydian Augmented
C
C Phrygian
C Locrian
C Oriental
C Locrian with Major Sixth
C Phrygian Dominant
C Dorian with Minor Second
D
D Ionian
D Lydian
D Mixolydian
D Oriental
D Ionian with Augmented Second
D Ultra Phrygian
D Ionian with Diminished Fifth
D Lydian with Minor Second
D Super Locrian with Minor Seventh
D Major Pentatonic
D Lydian Augmented
D Lydian Dominant
D Bebop Dominant
D
D Hungarian Minor
E Ionian with Augmented Second
D Harmonic Minor
E
E Dorian
E Mixolydian
E Aeolian
E Dorian with Augmented Fourth
E Egyptian Suspended
E Lydian Dominant
E Aeolian Dominant
E Bebop Dominant
F
F Oriental
F Locrian with Flat 3 and 7
F Locrian with Major Sixth
F Super Locrian with Minor Seventh
F
F Phrygian
F Aeolian
F Locrian
F Ionian with Augmented Second
F Locrian with Flat 3 and 7
F Double Harmonic
F Harmonic Minor
F Ionian with Diminished Fifth
F Phrygian Dominant
F Man Gong
F Aeolian Dominant
F Half Diminished
G
G Ionian
G Lydian
G Double Harmonic
G Lydian with Augmented 6 and 2
G Lydian with Minor Second
G Bebop Dominant
G
G Locrian
A Lydian with Augmented 6 and 2
G Locrian with Major Sixth
G Dorian with Augmented Fourth
G Half Diminished
G Super Locrian
G Blues
A
A Ionian
A Dorian
A Mixolydian
A Locrian with Flat 3 and 7
A Ionian with Diminished Fifth
A Ritsusen
A Melodic Minor
A Bebop Dominant
B
B Double Harmonic
A Ultra Phrygian
A Phrygian Dominant
A Super Locrian with Minor Seventh
A Super Locrian
B
B Dorian
B Phrygian
B Aeolian
B Hungarian Minor
B Lydian with Augmented 6 and 2
B Ultra Phrygian
B Harmonic Minor
B Dorian with Augmented Fourth
B Lydian with Minor Second
B Minor Pentatonic
B Melodic Minor
B Dorian with Minor Second
B Blues