Formula: W - H - W - W - W - H - W (1 2 ♭3 4 5 6 ♭7)
Relation with Major Scale: Mode II (derived from the II degree of the major scale)
Theoretical Aspects
Sound Character: Balanced between melancholy and hope. The major 6th (vs. natural minor) gives it a 'jazzy' or 'Celtic' character, less dramatic than the Aeolian mode.
Typical Chord: ii7 (minor with minor seventh, used in jazz as a substitute for IV)
Modal Context: Used in jazz improvisations (e.g., on Miles Davis' 'So What') or in folk music. The ♭3 makes it minor, but the major 6th avoids Aeolian sadness.
Harmonic Use: Suspended modal harmony (e.g., d-7 to g-7 without resolution). Alternative to natural minor for a more modern sound.
Musical Context
Musical Styles: Modal jazz, Fusion, Progressive rock, Celtic music
Songs using the scale:
So What - Miles Davis
Scarborough Fair - traditional
Oye Como Va - Santana (Dorian influence)
Evoked Atmosphere: Refined nostalgia, elegant mystery. Suitable for seascapes or medieval atmospheres.