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ENEN
Standard
Scales
Chords
C
Minor
Frets: 0 - 24

Formula
Notes

m3-M3
C
E
G
G
C
E
1
2
G
C
G
3
E
4
C
G
5
E
6
7
C
G
E
C
8
9
C
G
10
E
E
11
G
12
C
E
13
14
G
C
G
15
E
16
C
G
17
E
18
19
C
G
E
C
20
21
C
G
22
E
E
23
G
24

Minor Chord

The Minor Chord is one of the fundamental chords in Western music, and its sound is universally perceived as stable, but with a connotation of melancholy, 'sadness' or 'seriousness'. It is a triad, composed of three notes: the root, the minor third, and the perfect fifth. For example, an A Minor chord (Am) is formed by the notes A (root), C (minor third), and E (perfect fifth). It is the basis of harmonic progressions in minor keys and often functions as a point of rest, but with a decidedly different emotional coloring than the major chord, evoking introspection or drama.

Common Progressions

  • i - iv - v (the basic progression in a minor key, the functional equivalent of I-IV-V in major)
  • i - VI - VII (common in rock and pop, uses major chords on the VI and VII degrees for a more open, epic, or dramatic sound, compared to the corresponding minor chords)
  • i - iv - V7 (the major dominant V7 is often used for a stronger resolution to the minor i, exploiting the tension of its tritone, common in jazz and classical music)
  • i - bVII - bVI - bVII (an iconic progression in rock and metal, which creates a powerful and driving sound through the use of major chords on the degrees of the natural minor scale)

Chords in Scale

C
C Dorian
C Phrygian
C Aeolian
C Hungarian Minor
C Lydian with Augmented 6 and 2
C Ultra Phrygian
C Harmonic Minor
C Dorian with Augmented Fourth
C Lydian with Minor Second
C Minor Pentatonic
C Melodic Minor
C Dorian with Minor Second
C Blues
D
D Lydian
C Hungarian Minor
D Lydian Augmented
D
D Phrygian
D Locrian
D Oriental
D Locrian with Major Sixth
D Phrygian Dominant
D Dorian with Minor Second
E
E Ionian
E Lydian
E Mixolydian
E Oriental
E Ionian with Augmented Second
D Ultra Phrygian
E Ionian with Diminished Fifth
E Lydian with Minor Second
D Super Locrian with Minor Seventh
E Major Pentatonic
E Lydian Augmented
E Lydian Dominant
E Bebop Dominant
E
E Hungarian Minor
E Ionian with Augmented Second
E Harmonic Minor
F
F Dorian
F Mixolydian
F Aeolian
F Dorian with Augmented Fourth
F Egyptian Suspended
F Lydian Dominant
F Aeolian Dominant
F Bebop Dominant
F
F Oriental
F Locrian with Flat 3 and 7
F Locrian with Major Sixth
F Super Locrian with Minor Seventh
G
G Phrygian
G Aeolian
G Locrian
G Ionian with Augmented Second
G Locrian with Flat 3 and 7
G Double Harmonic
G Harmonic Minor
G Ionian with Diminished Fifth
G Phrygian Dominant
G Man Gong
G Aeolian Dominant
G Half Diminished
A
A Ionian
A Lydian
A Double Harmonic
A Lydian with Augmented 6 and 2
A Lydian with Minor Second
A Bebop Dominant
A
A Locrian
A Lydian with Augmented 6 and 2
A Locrian with Major Sixth
A Dorian with Augmented Fourth
A Half Diminished
A Super Locrian
A Blues
B
B Ionian
B Dorian
B Mixolydian
A Locrian with Flat 3 and 7
B Ionian with Diminished Fifth
B Ritsusen
B Melodic Minor
B Bebop Dominant
B
B Double Harmonic
B Ultra Phrygian
B Phrygian Dominant
B Super Locrian with Minor Seventh
B Super Locrian