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ENEN
Standard
Scales
Chords
C
Minor
Frets: 0 - 24

Formula
Notes

m3-M3
C
E
G
E
E
G
1
C
E
2
3
G
C
G
4
E
5
C
G
6
E
7
8
C
G
E
C
9
10
C
G
11
E
E
12
G
13
C
E
14
15
G
C
G
16
E
17
C
G
18
E
19
20
C
G
E
C
21
22
C
G
23
E
E
24

Minor Chord

The Minor Chord is one of the fundamental chords in Western music, and its sound is universally perceived as stable, but with a connotation of melancholy, 'sadness' or 'seriousness'. It is a triad, composed of three notes: the root, the minor third, and the perfect fifth. For example, an A Minor chord (Am) is formed by the notes A (root), C (minor third), and E (perfect fifth). It is the basis of harmonic progressions in minor keys and often functions as a point of rest, but with a decidedly different emotional coloring than the major chord, evoking introspection or drama.

Common Progressions

  • i - iv - v (the basic progression in a minor key, the functional equivalent of I-IV-V in major)
  • i - VI - VII (common in rock and pop, uses major chords on the VI and VII degrees for a more open, epic, or dramatic sound, compared to the corresponding minor chords)
  • i - iv - V7 (the major dominant V7 is often used for a stronger resolution to the minor i, exploiting the tension of its tritone, common in jazz and classical music)
  • i - bVII - bVI - bVII (an iconic progression in rock and metal, which creates a powerful and driving sound through the use of major chords on the degrees of the natural minor scale)

Chords in Scale

C
C Double Harmonic
C Ultra Phrygian
C Phrygian Dominant
C Super Locrian with Minor Seventh
C Super Locrian
C
C Dorian
C Phrygian
C Aeolian
C Hungarian Minor
D Lydian with Augmented 6 and 2
C Ultra Phrygian
C Harmonic Minor
C Dorian with Augmented Fourth
D Lydian with Minor Second
C Minor Pentatonic
C Melodic Minor
C Dorian with Minor Second
C Blues
D
D Lydian
D Hungarian Minor
D Lydian Augmented
D
D Phrygian
D Locrian
E Oriental
D Locrian with Major Sixth
D Phrygian Dominant
E Dorian with Minor Second
E
E Ionian
E Lydian
E Mixolydian
E Oriental
E Ionian with Augmented Second
E Ultra Phrygian
E Ionian with Diminished Fifth
E Lydian with Minor Second
E Super Locrian with Minor Seventh
E Major Pentatonic
E Lydian Augmented
E Lydian Dominant
E Bebop Dominant
F
F Hungarian Minor
F Ionian with Augmented Second
F Harmonic Minor
F
F Dorian
F Mixolydian
F Aeolian
F Dorian with Augmented Fourth
F Egyptian Suspended
G Lydian Dominant
F Aeolian Dominant
F Bebop Dominant
G
G Oriental
G Locrian with Flat 3 and 7
G Locrian with Major Sixth
G Super Locrian with Minor Seventh
G
G Phrygian
G Aeolian
G Locrian
A Ionian with Augmented Second
G Locrian with Flat 3 and 7
A Double Harmonic
G Harmonic Minor
A Ionian with Diminished Fifth
G Phrygian Dominant
G Man Gong
G Aeolian Dominant
G Half Diminished
A
A Ionian
A Lydian
A Double Harmonic
A Lydian with Augmented 6 and 2
A Lydian with Minor Second
A Bebop Dominant
A
A Locrian
B Lydian with Augmented 6 and 2
A Locrian with Major Sixth
B Dorian with Augmented Fourth
A Half Diminished
A Super Locrian
B Blues
B
B Ionian
B Dorian
B Mixolydian
B Locrian with Flat 3 and 7
B Ionian with Diminished Fifth
B Ritsusen
B Melodic Minor
B Bebop Dominant